RIEMANN ANGELS

                         IGITUR CARBON COPIES 





These works tap into a lifelong obsession with recording everyday objects,

situations and moments. Recording and listening to things 'outside' is like  

delving into the imagination already contained in matter.                                 

Perception becomes a vice that constantly hallucinates realities.                   


Creating music from these recordings is like divining things found crawling        

under rocks, whirling in shaded corners, traversing the atmosphere, propelling

through the ether. The ears focused as if in a gaze - but an errant gaze,                

sleepwalking through the different layers of matter; a gaze disinterested           

in possibilities, complexity, openness or totality; an errant gaze, melancholic   

as well as pervasive, inviting contingency by ignoring it.